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New Oil Paintings :The Three Metamorphoses : Beehive Cafe Gallery Opening


Works on Progress


November 3, 2012





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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil, 62cm X 62cm


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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil, 54cm X 70cm





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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil,53cm X 65cm







November 2, 2012


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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm


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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress; Kyu Nam Han," Times Square series, Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress; Kyu Nam Han," Times Square series", at theNorthern Bank of Seoul"(2012),AC & Oil, 80cm X100cm


PhotobucketWork On Progress; Kyu Nam Han," Times Square series, at Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress;Kyu Nam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm



October 30, 2012


The Three Metamorphoses :




Duck and Rabbit and Diagrams ; Excerpts from M.F.A Thesis:(1977);
'The Dot, its Illusion and its Configuration', The Ohio State University"








2011-05-15





The following statements are the Excerpts from:'Nonlinear dynamics in meso and nano scales:
fundamental aspects and applications':
Editors: Marcos G.E.da Luz and Celia Anteneodo
Nonlinearity, as well as complexity, is observed in an incredible large number of phenomena around us, both natural and man-made: oscillations in grandstands, ecological trade-offs in tropical rain forests, climate, and the asteroids belt evolution in the solar system, just to cite few examples. Less known, however, is that it is not limited to large spatial sizes. At meso (10-6 m) and even nano (10-9 m) scales, nonlinear effects may also play a fundamental role in determining system behaviour, due to the signature of chaos in the quantum mechanical domain - the so called quantum chaos - or (if the processes are classical in nature) due to the involved nonlinear forces and dynamical equations. Nonlinear dynamics in meso and nano scales: fundamental aspects and applications is a compilation of articles which address many different contexts where chaos and complex behaviour emerge at very small scales. This issue does not intend to cover all aspects of the subject but instead provide a general overview of topics such as: de-coherence and the environmental influence on quantum problems; large molecules dynamics; fluid and plasma physics; nonlinear wave propagation; statistical mechanics and thermodynamics at small scales; and response theory - hence serving as a guide to possible new directions of research; relevant problems which still need deeper analysis; and what concrete situations, new methodologies and techniques should be developed to understand nonlinearity at very small scales.




The Six Cannons in far Eastern Asian tradition;

1. During China's Southern Chi Period(479-501 A.D) Hsieh Ho wrote six cannons for the Artist.

Briefly, they are (1) that the painters vital brush movement should convey the spiritual element of the matter being observed.
We can see Western counterparts in the work of Kandinsky, Gorky, Tobey, and Pollock, among others.
(2) The brush-stroke technique should have bone structure with 'passages'.
This method is similar to the Cubist, Constructivist, and Abstract Expressionist movement in the west,
and to the work of Braque, Mondrian, Malevich, and Pollock in Particular.
(3) Execution of the subject matter should be performed abstractly, but only after adhering to the first and second canons
(4) There should be a definite color dynamic.
(5) The distribution should be based on logical principles;and
(6) The artist must always respect tradition while at the same seeking innovation through his own original style.
These Six Cannons are the basis of all Eastern art.

In the West, beginning with the Post-Impressionists in Paris, the Expressionists in Munich anf the Abstract Expressionists in America,
painters began to move away from objective representational illusionism and towards a new subjective reality
by introducing the importance of the brush-stroke itself as the subject matter of their work.
With this signicant transition the hard line separating Eastern and Western art(and culture)began to disappear.




Kyu nam Han talks on his paintings; at Saddle River,
Kyu nam Han,'Dynasty'(1984), oil on canvas ,72 inch x 56 inch "4계 II (四季,Four Seasons)",(1984) oil on canvas,549cm x 122cm







Talks and Thoughts
Linguistic Structures and Visual Images: The Grammatology of picture making and
Caligraphic Hieroglyphics: Passages and Grids in Far Eastern Landscape Painting

Passages and Grid.


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I have been interpreting Korean Modernism within the Western cultural context, and vice-versa—Western Modernism within the Far Eastern cultural context.
I incorporate traditional values and methodologies, such as 'perspective'
and 'chiaroscuro' of the West, and 'chun'( 峻,埈, passage and grid) from the East.
I blend Eastern isometric perspective with traditional Western linear perspective painting
to create a fusion of both depth and flatness,
and then
apply calligraphic principles to recreate new pictorial images.

in comparison to the classic subjects; the Dot, its Illusion and its Configurations.

I think it's time for me to explore the new paths of the paintings, of the formal methodologies and criterion, and the new issues of visual languages on the new
subjects.:Within these context I would like to explore the metaphors of the ironies and contradictions existing in words and forms;
the ambivalent dichotomies that I am pursuing ; Certainty within Uncertainty: Orderly manner within Disorderly situation:
linearity versus nonlinearity. and so on and so forth.



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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm

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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm

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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm




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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm





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Work On Progress,KyuNam Han," Times Square series", Northern Bank of Seoul"(2012),AC & Oil, 80cm X100cm
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in relation to the eastern caligraphic substances and the hierographic theoretical accounts.
I am specifically interested in Cezanne, Braque, Mondrian,Pollock, Klimpt, Schiele's painting when compared to the Eastern one.; the hybridities in them.
My paintings stands for it as a whole..

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My use of then dot takes off from an understanding of my brush landscape painting and the Western tradition of figure-ground, or figure void.
In the former line fuctions as touch,the essence orf substance;
in the latter, line binds things as out-line, separates rather than emanates.(figure 1)

For me the dotted line works more as configuration than figure, brings in multiplicity( figure 2, 4, 6)
-over a single, united line- more interrelationships over a duality of inside/outside;
a dialectic scanning-constructing process,(fig 2, 4, 6)
rather than receptive catching at a glance.
In short to me the dotted line invests quantity with quality direction,
and attitude with quality(fig 2, 4, )
direction, and attitute with number-unity.

For me it also makes the dot a part of an organizational, numerical, scheme, as well as allowing another interpretation, that of each dot becoming a figure.

Further, I believe, the dot extends ambiguity paradoxically, in making the void outside the dot more than the dots themselves,
as they share what surrounds them, while being themselves empty "microvoids.
" The dot then is like a small world put nowhere,with an ambience of freedom quite unlike the posed, pointing line.

To emphasize this I have put dots in dots,(figure 8) which is a logical inclusion,
rather than the intersection one would have from overlapping figures(figure 7)
. Rings can relate to each other irrespective of position.

Like wise, I believe rings have timeless relation to everything, as the edge no loner has to curtain or prop the painting,
and it is instead dwarfed in meaning by the particular drama in the painting
resulting from the particular use of the dots
in the development of the spacial configurations and illusions.





October 28,2012







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On Progress: KyuNam Han"A series of 'Times Square' at the Northern Bank of Han River",, Acrylic and oil on canvas., 80cm x100cm.





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On Progress: KyuNam Han(2012), "A series of 'Times Square' at the Northern Bank of Han River",, Acrylic and oil on canvas., 80cm x100cm.






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On Progress: KyuNam Han(2012), "A series of 'Times Square' at the Northern Bank of Han River",, Acrylic and oil on canvas., 80cm x100cm.









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On Progress: KyuNam Han(2012), "A series of 'Times Square' at the Northern Bank of Han River",, Acrylic and oil on canvas., 80cm x100cm.









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On Progress: KyuNam Han(2012), "A series of 'Times Square' at the Northern Bank of Han River",, Acrylic and oil on canvas., 80cm x100cm.





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On Progress: KyuNam Han(2012)," A series of 'Times Square' at the Northern Bank of Han River", Acrylic and oil on canvas., 80cm x100cm















Duck and Rabbit and Diagrams ; Excerpts from M.F.A Thesis:(1977);

'The Dot, its Illusion and its Configuration', The Ohio State University"




October 25, 2012



It was an interesting evening opening; 'Marylin Monroe Photo Exhibition' at the Beehive Cafe Gallery, Chung Dam Dong, Seoul.





Marylin Monroe






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The Beehive Cafe Gallery Opening





Gang Nam Galleries seem to me obviously keep changing in style and content.
The Beehive Cafe Gallery is a good example; Music, Art, film, Performances are all together possible in one space.
A Total stages of multiple structural usages;
An Application of various Exhibitions;
Performances, and the presentations of dance and music performance in such a limited scope with an ample results..


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The Behive Cafe Gallery,Members and Staffs.


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The Behive Cafe Gallery. the Staffs and friends

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[ 총게시물 : 233 | page : 10 ]
[ 정렬조건 : 날짜 | 조회  ]
순번(No) 제목(Subject) 작성자(Name) 조회(Hit) 파일(Data) 등록일(Date)
233   2016 Quantum Painting: TMS + CFP ^Q^   554 16/10/05
232   IV. Open Studio (2015) Key words and Image ^Q^   1518 16/07/22
231   Open Studio (2015)III ^Q^   1303 16/09/19
230   Open Studio Pamplet (2015) II 정리중입니다 ^Q^   1428 16/09/19
229   Studio Opening 2015 New Rochelle (2) ^Q^   1130 16/07/22
228   Open Studio 2015 Pamplet (1) 정리중 ^Q^   3751 16/08/04
227   Seoul Lake Palace Studio at Lotte: A Poli ^Q^   2812 16/09/19
226   A Concept of the Revolution :the Limits ^Q^   2418 15/08/23
225   Nano, Real, Astro in between the worlds: B ^Q^   6668 16/11/01
224   Going Back to the Beginning of the Time [1] ^Q^   4549 13/08/25
223   Synesthesia.. I hear what I see in my mind [1] ^Q^   14557 16/08/04
222   A Spring Waltz in Betweens; New Rochelle [7] ^q^^g^   4439 15/08/25
221   New York and Seoul: in Between [3] ^Q^   38372 15/08/25
220   Jang Chung Dong Paintings ^Q^   5051 13/03/12
219   The Brief Sketches of Preview Opening ^Q^   6570 13/02/25
218   Kyu Nam Han talks on Kyu Nam Han's Painti ^Q^   64919 13/02/03
217   Kyu Nam Han's Works On Progress in Seoul ^Q^   6073 14/06/12
216   New Oil Paintings :The Three Metamorphoses ^Q^   6366 13/01/30
215   New Paintings of 'Times Square' in Seou ^Q^   4651 12/11/25
214   The Villages of Northern Bank of Seoul H ^Q^   8706 14/09/15
213   2012 Thanksgiving Day in Seoul, Bongsan Gu ^Q^   5655 12/10/17
212   The Converging series KIAF 2012 [1] ^Q^   6100 12/09/30
211   East West Institutes for the Arts (1) ^Q^   7336 13/09/13
210   East West Institutes for the Arts and Kore ^Q^   8350 12/08/23

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